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Free Online Ordinary love. Read reviews that mention There was a problem filtering reviews right now. Please try again later. Reviewed in India on 16 February 2019 Format: Kindle Edition Verified Purchase So this is what young white people do and this is how they think and this is how they communicate (or fail at communicating) and how their relationships are. This was the takeaway from what is beautifully written angsty-mopey tale of two Howard Roark-ish teenagers (without his clarity of purpose, but with his intelligence) set in Ireland (but it is really a microcosm for any First World White Person country). I'm not trying to be provocatively snarky here - there is a great deal regarding human emotion that is agnostic of culture and society and we do get that here through some beautiful observations and most profound analyses by an extremely talented writer. "How strange to feel herself so completely under the control of another person, but also how ordinary. No one can be independent of other people completely, so why not give up the attempt, she thought, go running in the other direction, depend on people for everything, allow them to depend on you, why not. " "This ‘what? ’ question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them. " "Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently. You learn nothing very profound about yourself simply by being bullied; but by bullying someone else you learn something you can never forget. " But a lot of this book was quite educational (if that's the right word) for me about the 'class' struggles, the sublimated impact of Modern Family lite, the unsaid rules, etiquette and expectations of teenage relationships, the pressures & manner of 'fitting-in', in another part of the world which despite the influence of Hollywood & English-language books over three decades still acted as a bit of an eye opener. Also the long rambling descriptions of making yourself a cup of tea and drinking sessions in colleges and wandering the supermarket aisles are probably what lets you peak into life in another world. "Marianne goes inside and comes back out again with another bottle of sparkling wine, and one bottle of red. Niall starts unwrapping the wire on the first bottle and Marianne hands Connell a corkscrew. Peggy starts clearing people's plates. Connell unpeels the foil from the top of a bottle as Jamie leans over and says something to Marianne. He sinks the screw into the cork and twists it downwards. Peggy takes his plate away and stacks it with the others" "The kettle comes to the boil. Lorraine sweeps the line of hairpins into the palm of her hand, closes her fist around them and pockets them. She gets up then, fills the cup of tea, adds milk, and puts the bottle back in the fridge. He watches her. " Unlike a lot of folks who don't seem to have liked the deadpan, present tense-using, no quotation-marks writing style - I quite liked that and thought it wasn't unnecessarily descriptive of the background scenery as many literary novels (of which set this book is a part of with a Booker nomination and everything else) are wont to be. My bigger disconnect was with the inability to connect with the two central characters and understand their IMO pig-headed actions and decisions. Actually even though after all the insight we have, I don't think I understand their emotions of intense longing, complete depression, ability to switch on-and-off in relationships which are based on some magical other-worldly connections. Surely one would expect more rational decision making and clearer communication from intelligent human beings and awareness of a world outside their bubble? This is alluded to once in the book as well: "But that was their world then. Their feelings were suppressed so carefully in everyday life, forced into smaller and smaller spaces, until seemingly minor events took on insane and frightening significance. " This line above kind of sums up what this whole book is about. Sure stories are always about people but there has to be something plausible, connectable, interesting, less tedious? So now, trying to summarise more to put my thoughts in order: - Did I enjoy reading it? I guess, yes - it is very readable - Would I recommend it? I think I would even if it's just for the writing style - Would I read another book by the author? Probably not Reviewed in India on 26 October 2018 Format: Paperback Verified Purchase Normal People follows two individuals, Marianne and Connell, right as they begin to tackle the messiness of becoming adults, from high school to landing their first job. It is the story of a friendship – with all the misunderstandings, confusion over love, breaks from each other, and a keen sense of needing each other – which feels absolutely vital to gain some sense of normality or sanity. Normal People explores some of the same sentiments that 'A Little Life' does: the power that the people we love exercise over us; an exploration of self-destruction and self-denigration; and the effects of time on how a soul changes and yet remains the same. It pays attention to those measured looks, throwaway comments and thoughtless gestures that end up having a sizeable influence on how a relationship evolves. The story is also structured very cleverly. The character viewpoints are covered in chapters and there is a jump in time, sometimes a few days and sometimes many months, between each one. The chapters are meant to focus on key events of this evolving relationship, but they also go a long way in covering the events which took place during the intervening period. The writing is sparse and perfectly nails what the characters feel at any particular point. This is well worth the Booker Prize nomination and I’m definitely going to re-read Normal People at some point in the future. Reviewed in India on 15 January 2020 Format: Paperback Verified Purchase Normal People by Sally Rooney has won several international awards. It is a coming-of-age novel which revolves around Marianne and Connell- two young people who go through personal and social changes while facing mental traumas, confusions and social anxiety. ⁉️ Marianne and Connell are far from being "normal" and they struggle to fit in the society at one point or the other. They develop a complicated relationship where they struggle with their feelings for each other. All this happens while they are figuring out their new life after college. ⁉️ Betrayal, tension, miscommunication, sexual exploration and vulnerabilities dominate the narrative. Also, there are a few instances which highlight the changing social and political scenario. ⁉️ This book is very engaging and easy to read. Although it deals with the relationship of two people, it is far from being an ordinary story. It is raw in its true sense. It is also disturbing and unsettling at a few points. ⁉️ To sum up, Normal People is a story of two people who struggle with normalcy. It is not a "normal" love story yet it is very much normal because so many different people struggle with different things which we don't know about. In my opinion, this book normalises the weirdness and acknowledges that people can have strange streaks which is totally normal in today's harsh world. Reading this book is an experience in itself. ⁉️ Reviewed in India on 28 October 2019 Format: Paperback Verified Purchase I liked the way the characters retain their personalities from school-time to their professional lives. While the opinions of the people around them continue to is their perception of their own selves that changes. I found myself identifying with many instances and characters. I would recommend this book for those who perhaps didn't fit well in school but realized eventually that they were on the right track all along:) Reviewed in India on 20 January 2020 Format: Kindle Edition Verified Purchase I found it a tremendous effort to get through this book: it is completely meaningless (and not in that relatable, pleasant way that life can sometimes be, but in the sense of being pointless), with nothing to redeem it in terms either of literary quality; likeable characters; a well-developed story or even a social/political commentary. The prose is especially tiresome: interchangeable tenses within the same setting; unnecessary descriptions of actions such as making tea and wearing a shirt; and an absence of inverted commas while narrating conversation, which I personally find particularly annoying as a language tool. A wholly avoidable read. Top international reviews 1. 0 out of 5 stars The most annoying book I've read this year. Reviewed in the United Kingdom on 3 November 2018 Verified Purchase The Times called it "the best novel published this year". The Guardian praised it as "a future classic". Elif Batuman, author of my favourite "The Idiot" said: "I couldn't put "Normal People" down - I didn't think I could love it as much as "Conversations with Friends", but I did. Sally Rooney is a treasure. I can't wait to see what she does next. " For me it was a no (a NO!!! ). I'm feeling tired just thinking about explaining myself and the annoyance, disappointment and... almost hurt I experienced while reading "Normal People". I want my money back! Throughout the book I kept thinking why, why is this not working for me? Why I'm becoming more and more annoyed? Why don't I care? Why?? Maybe because I am no longer a target audience of the book. Nice enough writing and observations but somewhat dull and infantile. The very notion of the two people, seemingly perfect for each other, ruining each other's lives over and over again drove me mad. It became repetitive, then it became boring. I just could not stand reading about on-off relationship of these young damaged adults while such important matters like domestic abuse, depression and mental health in general were hugely overlooked. I really cannot see why the novel made it to the Man Booker Prize longlist. And yes, perhaps it's not a one star book but at this point, this is what I feel. You know what I reminded me of? Rupi Kaur and her poetry. 556 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse Painful Reviewed in the United Kingdom on 7 October 2018 Format: Kindle Edition Verified Purchase I think this was the worst book I’ve read in a long time. Characters are two dimensional and poorly developed and the writing is like something a precocious teenager would write in an English essay. Don’t waste your time! 288 people found this helpful 2. 0 out of 5 stars Doesn't warrent all the hype Reviewed in the United Kingdom on 11 October 2018 Verified Purchase I feel really sorry for Sally Rooney, there have been so many interviews and plaudits for her and this novel but I am afraid they are unwarranted. I can't see why the novel made it on to the Booker Prize long list. It is clearly written by a young person with little life experience and it lacks depth. I didn't feel that the characters were "real" and didn't really care what happened to them. I'm sorry to write such a poor review and I'm sure that Sally Rooney will develop as a writer and produce some better work. 200 people found this helpful Not my thing. Reviewed in the United Kingdom on 11 December 2018 Format: Kindle Edition Verified Purchase Disclaimer here: I would not normally ever, EVER pick up this book on my own. I'm only reading it because it's on my MA reading list. First up: UGH PUNCTUATION. I hate this no-quotation-marks style. Hated it when Cormac McCarthy used it, hate it now. I know it's a stylistic thing, but... well, I guess I'll just say it's not a style I like. Normal People is a story of abuse. It's the story of Marianne who goes from terrible relationship to terrible relationship and allows herself to be abused because it's all she's ever known. In a way, it's gripping because you just want Marianne to get out of this, get out of all this crap she's living with, but she just goes from bad to worse. Everything in her life is tied around Connell and his acceptance/rejection of her, and it's ridiculous because even though he doesn't actually hit her or anything, it's obvious (to me, at least) that he's an oblivious idiot who is obviously using Marianne for his own benefit. It's not to say that she didn't get anything out of it--she did--but if this is what relationships are like in the 21st century, I'm glad I'm not in one. Maybe I'm too prudish for this book. Marianne has a warped idea of "submission" and part of the story veers into something BDSM-like relationships, except Marianne did not seem to like it very much, even if she somehow craved it. On the other side, it also explores Connell's anxiety and depression, and how desperately he needs Marianne in his life to make him feel normal and in control, even though he's seeing/dating other people. It's just... messed up. The shifting timelines--each chapter jumps a few months, and then hops back a little to cover important missed events--was sometimes a little confusing. The constant segueing between present tense and past tense feels fluid at times, but awkward at times. Maybe I'm not a very close reader but with all the jumps, it gives the book a very floating/fluid feel, and I sometimes don't really know when it is anymore. All in all, Normal People is a dark, stark look at relationships and youth in Ireland. I guess the writing is good and all, I just didn't like the subject matter very much. 182 people found this helpful Tedius teenage angst Reviewed in the United Kingdom on 18 November 2018 Format: Kindle Edition Verified Purchase Don't know what the fuss is about this off well but just seemed that the characters kept going around in bored with it and wouldn't have bothered finishing it if it wasn't for a book group. Mixed views at book group. loved me 129 people found this helpful A real let-down Reviewed in the United Kingdom on 7 October 2018 Format: Kindle Edition Verified Purchase I loved Rooney’s first book - a nuanced and complex novel, well drawn characters, painfully real. This second book is a real disappointment. Flat predictable characters, no surprises, simplistic plot line. Didn’t hold my interest, couldn’t finish it. Can hardly believe it’s the same author. 114 people found this helpful 3. 0 out of 5 stars I really wanted to enjoy this book Reviewed in the United Kingdom on 11 October 2018 Format: Kindle Edition Verified Purchase I had read excellent reviews for this book. I had read Conversations with friends and while i enjoyed the story and appreciate the quality of the writing, something left me a bit cold. I didn't really care for any of the characters. While I warmed to the two main characters in this book, again something just felt a bit cold or detached. I was left feeling a bit unsatisfied. The writing was excellent, just felt the heart was missing. 66 people found this helpful 5. 0 out of 5 stars Exquisitely painful but simply wonderful Reviewed in the United Kingdom on 13 January 2019 Verified Purchase Connell and Marianne are teenagers, sixth formers in small town Ireland. Connell is popular, intelligent, a member of the school soccer team. Marianne is distant, seen as an outsider, strange. Connell's mother is a single parent, who works as a cleaner for Marianne's family. One day, when Connell arrives to pick his mother up from work, a spark of attraction jumps between him and Marianne. That spark lights a fire which burns through their final days at school, to university and their early working lives, sometimes burning hot, sometimes cold. Author Sally Rooney has delivered a second wonderful novel, which surpasses her first, Conversations with Friends. While I loved the earlier work, the characters were challenging, difficult to warm to. Here, while they are still very human, deeply flawed, they are also much easier to love. At the end of the book, I felt slightly bereft, with a sense of loss that I'd not be spending any more time in the company. The book is, at its heart, a portrait of two people maturing as they go through their late teenage years and into their twenties. When we first meet them, they seem uncomplicated, and they see each other and themselves in simplistic terms. As the book goes on, their characters develop, they start to understand themselves better, and to see the complexities in each other. We see them develop as psychological entities, deeply affected by their experiences I absolutely loved Normal People, but that is not to say I found it an easy read. At times I could only read it in short bursts, so accurately does Rooney capture the agonies of living through the maturing of emotions, that it becomes an exquisitely painful experience. The brilliance of Rooney's writing is enhanced by the fact that her prose is extraordinarily efficient. Not a word is wasted. This is not intricate, florid writing. This is incredibly economic use of language which succeeds in portraying complex emotional turmoil with absolute clarity. The story is told episodically, with the intervals between chapters varying from minutes to several months. Rooney uses this extremely skilfully to play with the reader's emotions, noticeably so in a fairly early chapter when Connell behaves abominably towards Marianne. The chapter ends before we see the full implication of his actions, giving this reader at least a sense of "phew, got away with it". It is only a distance into the next chapter that the shockwave hits, and it is a long way into the book before the aftershocks die away, if they ever do. It will be interesting to see how Rooney develops as a writer. To date, she has written what are effectively two campus novels, a long way from Malcolm Bradbury or Kingsley Amis, but with perhaps similarities to Jeffrey Eugenides' The Marriage Plot. Both novels also nod very definitely in the direction of Tender is the Night, perhaps even more so here, where mental illness sits in the background. I do have to mention the very end, which I've not quite processed yet, and am not sure I ever will. Is it sad, with a note of hope, absolutely heartbreaking, or a pointer to the continuation of an endless cycle? In summary, an absolutely wonderful book. I read it for a long running book group, and for me this easily walks into the top five we've read over the years. 51 people found this helpful Uneven Reviewed in the United Kingdom on 5 September 2018 Format: Kindle Edition Verified Purchase Uneven, but sensitive in places, perceptive. This description appears in a curious polemic three quarters way through the story. The target is literary readings and the subject is the visiting writer’s work but, in my view, also applies to Normal People. The story lacks humour, even black humour. Lorraine survives. This book is the literary equivalent of jumping up and down on Lego in your bare feet for 5 hours. Reviewed in the United Kingdom on 8 July 2019 Format: Paperback Verified Purchase Quite the most inane and intensely annoying book I have ever cliche is left in the bag, the main characters are self absorbed bores, stuff just stupidly happens to enable the damn thing to keep moving forward until the inevitable ending is crowbarred in. Heaven know how the hell they’ll spin this drivel out into the proposed 12 part *TWELVE PART* tv the number of accolades it has received completely discredits those panels that dish out awards to cruddd like this. Straight in the recycling. 40 people found this helpful WHAT A WASTE OF MY TIME Reviewed in the United Kingdom on 14 December 2018 Format: Kindle Edition Verified Purchase I cannot believe all the hype about this book. I have never read a book that had so much written about nothing! I almost gave up reading but kept hoping that SOMETHING would happen, it never did. 45 people found this helpful Unappealing characters Reviewed in the United Kingdom on 17 January 2019 Verified Purchase I very much regret starting to read this book. I thought that the quality of the writing was poor, the plot very thin and juvenile, and the characters - most of whom are humourless, confused, if not dysfunctional, young people - thoroughly unappealing. 32 people found this helpful At least as good Reviewed in the United Kingdom on 29 September 2018 Format: Kindle Edition Verified Purchase NORMAL PEOPLE is at least as good as CONVERSATIONS WITH FRIENDS, which is very high praise. Indeed, it might be better. Sarah Rooney has the rare ability to describe complex emotions in simple and unshowy words. Her dialogue is exceptionally nuanced. If it had to be described, I suppose the book would be called a romance, but it is a million times better than the mush which normally goes under that definition. 34 people found this helpful No idea why all the negative reviews! Loved it. Reviewed in the United Kingdom on 19 December 2018 Format: Kindle Edition Verified Purchase I was skeptical because of the other reviews, but I gave it a go anyway and LOVED it! Sally Rooney has laser precision when it comes to describing the details of social interactions. I zipped through it in 3 days, which is fast for me. If you've ever been lonely, if you've ever been messed about in a relationship that wasn't, if you've ever had an unspoken understanding with someone you're attracted to, read this. 30 people found this helpful Boring and annoying. Reviewed in the United Kingdom on 19 January 2019 Format: Kindle Edition Verified Purchase Got half way through, was suddenly and overwhelmingly overcome with boredom. It chugs on and on, the characters are dull and irritating. The cover art is good. 29 people found this helpful Report abuse.

Sally Rooney’s astoundingly accomplished debut, Conversations With Friends, was universally and deservedly acclaimed. It’s rare that a novel elicits such ferocious and unmitigated awe from just about everyone you know, whether male, female, millennial or middle aged, my family included. It was hard to believe that the author was still in her 20s and even harder to imagine that she could ever write anything better. But she has. In fact, in almost every way, this new novel leaves that first book in the shade. At first sight, the territory isn’t all that different. A twisting tale of on-off-on lovers, told over several years in a series of haltingly tender, endlessly misfiring conversations and even more tenderly misfiring sexual encounters. But where Rooney’s first novel was tight, slender, cool and (admirably) restrained, this one’s a whole lot more generous, expansive and explicit, as well as, actually, more controlled. It’s also deeply and unashamedly romantic, but in the most rapturously contemporary sense. Marianne and Connell – clever, sensitive, awkward teenagers – go to the same school in Sligo, but Marianne lives in the “white mansion with a driveway”, where Connell’s mother works as a cleaner. Regularly thrown into each other’s company when Connell comes to pick his mother up, the two constantly wrestle with their feelings. Connell doesn’t think Marianne likes him much, but he’s keenly aware of the sense of “total privacy” between them, and the fact that when (often) they slide into embarrassed laughter “they couldn’t look at each other... they had to look into corners of the room, or at their feet”. It’s a surprise to them both (though not really to us) when they begin a hesitant, clandestine relationship. The latter because Marianne is considered at school to be a misfit, equally feared and mocked by the crueller members of their friendship group. But far from being indignant that Connell won’t own up to their liaison, our heroine – for reasons that will dawn slowly and chillingly as the novel unfolds – seems to accept it as her lot. When both get places at Trinity College Dublin, it’s the start of a protracted will-they-won’t-they? love affair, with the two relentlessly, often wretchedly, ricocheting between sexual involvement, furious dumping and a touchingly easy friendship. You read on, with your breath held and only one blazing question in mind. How long is it going to take this pair of star-crossed lovers to find out what the rest of us have understood from page one: that they belong together? It’s rare that I feel as daunted by the subtlety and complexity of a novel’s trajectory as by its near-perfect narrative execution, but in this case I doubt I’ll be alone. Structurally, it’s uniquely clever, purporting to be straightforward – even downright linear – with chapters headed “One Month Later” or even, in one case, “Five Minutes Later”, while actually slyly and constantly looping back on itself, revisiting past moments and conversations and events (along with their contingent confusion, regrets and anxieties) in a way that not only illuminates the present, but also creates a delectable, mounting suspense. A simple enough trick, perhaps – not showy, not post-modern, not meta – but it feels like nothing you’ve come across before. And then there’s the dialogue. Exactly as in her first novel, Rooney’s ear for the self-deluding fumblings of millennial dialogue, her wackily candid one-liners, her ability to mine both the comedy and the tragedy from any simple human interaction, are at once dazzlingly contemporary and enjoyably timeless. More than once, struck by her capacity for creating sparky, semi-erotic, verbal tension from mere discussion between a man and a woman, I was reminded of Jane Austen – think Pride and Prejudice with hangovers and finals thrown in. But what’s most extraordinary and moving about this novel is the portrait of modern male psyche at its heart. Rooney’s Marianne is a beautifully realised – and beautiful – heroine, absolutely and defiantly able to be herself, rising always above the queasy mire of her background (her wealth and privilege are unsettlingly tinged with physical and emotional abuse), in a way that constantly unnerves those around her, not least Connell. But it’s Connell who’s the stunning creation, achingly convincing in his maleness and his struggle to understand, and find an outlet for, his feelings. Intelligent, vulnerable and hopelessly incoherent, he is, in many ways, as fatally constrained by his own gender as Marianne seems, to some extent anyway, to be freed by hers. Connell loves Marianne but does not know how to be with her, can’t own up to his emotions, can’t give her what she needs – but neither can he exist without her. Safely ensconced with a new, dull girlfriend who makes him feel more uncomplicatedly happy (or so he tells himself), he sends ever more lengthy emails to Marianne. On one pungently observed occasion, he dreams up a good phrase and gets ready to write to her “only to remember that he can’t email her when she’s downstairs”. This is a beautiful novel with a deep and satisfying intelligence at its heart. It’s emotionally and sexually admirably frank (Marianne’s masochistic streak takes her down some dark paths), but also kind and wise, witty and warm. In the end, a little like Rooney’s first book, it’s a sympathetic yet pithy examination of the myriad ways in which men and women try – and all too often fail – to understand each other. But what lifts it beyond Conversations is that there’s so much hope here. Marianne has “never believed herself fit to be loved by any person” but Connell has set her free from that place and, whatever happens next, it’s clear that this effect will be long-lasting. In fact, perhaps the question of whether these two will end up together isn’t even the real question. Love changes us, but it also frees us and, as Rooney asserts here so very triumphantly, no one can take that away. • Normal People by Sally Rooney is published by Faber & Faber (£14. 99). To order a copy for £12. 74 go to or call 0330 333 6846. Free UK p&p over £10, online orders only. Phone orders min p&p of £1. 99.

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